If it’s a good enough picture £6 is buttons. I’m amazed anyone would quibble at it actually. It’s a bit ****ish. I got a new camera and lens just before heading off to the EWS in Ireland. I was going anyway, but thought it might be an opportunity to play with the camera, take some good pics, maybe even sell a few. 240 mile round trip. Fuel. Parking. Food. Beer. Toll roads. 13 hours running around the mountain. And on top of it you basically miss the race. Not including the cost of my camera, lens, laptop, broadband I probably spent £60-£80.
I missed practice so only saw race day…. I still had 2290 photos. So they needed sorting through. Plus I almost never upload straight out of the camera without some tweaking. I think I took some good shots but at the end of the day I was underwhelmed by them as I didn’t have time to put any thought into them. Just run and gun. So I didn’t upload them to R&R.
Even the amateur photographers who put in the effort were there for 3-4 days, taking tens of thousands of pictures. Multiple cameras, batteries, lenses, flash guns, packs etc. It’s a serious amount of work that goes into a good shot. A top of the range slr and fast glass isn’t essential to taking a good shot, but to consistently getting perfect shots of fast moving subjects in low or variable lighting conditions they really help. You’re talking the guts of £1000 minimum.
The top pros work in teams and reccie the track days before the riders. One will do practice runs on a corner or section so they can work out composition, exposure, shutter speeds, focus distances etc etc etc. Then spend the remainder of the weekend chasing the riders around.
So, no £6 is not a lot of money.
Here’s one I took that I’m happy with. Wonder how much the op would pay if he was the subject?
DSC01032 by James Doherty[/url], on Flickr