All comments are appreciated
Here’s a comment for you Andy.
I never realised how brilliant your work really is until recently. I’ve always really liked it but never really connected with it until recently.
I’m not sure what it is that I’ve learned recently or what’s changed in me that has triggered the emotional connection I’ve had with your work but something has.
As for your colour versus B&W, I think the B&W images you’re posting here are much better than your colour ones, but on your website you’ve got a lot of colour ones that are every bit as good as your B&W.
What I do notice is that you tend to default to B&W for portraits and colour for everything else and it’s your portraiture that I’ve suddenly made an emotional connection with and realised just how good it is, especially your series ‘Closer to Home’. There are a few shots in that project (Bob the Legend, Home and Daughter’s Phone Call spring to mind) that are just wonderful.
Daughter’s Phone Call is a good example actually because you’ve also got the colour version you originally took in another section. As I said on the other photography thread currently running, the colour version also works well but the B&W version is better because the toning and use of the light give a silvery ethereal effect to the woman’s skin that complements her so well (older people are so much more interesting to photograph don’t you think, not least because their skin works so much better in the image; so much more intersting).
But that said, where you use colour in a portrait or candid, it still works really well. The selection in The Cumbrians II shows this, with May Day Parade being a brilliant candid (of your daughter I think?) where the use of colour is exquisite. I also love the colour and light in Appleby Butcher – reminds a lot of Laura Panack if you know her work? ‘Jim’ is also excellent.
One thought though – where almost all the B&W portraits are stunning, some of the colour ones aren’t as good as the others. All the B&W portraits are taken in doors though, whereas the colour ones are almost always outside. Where they don’t work as well I think it’s down to two things. One is the time of day you’re shooting, where the sun might be higher in the sky and either washing out out the colours a little or giving you some strong shadows on the face (St John’s spings to mind). The other is that some of the colour compositions are a little muddied and confusing, Penrith Man springs to mind here.
But as I started out by saying, all this is in the context of suddenly having ‘got’ your work and realised just how fabulous it is. I’ve been meaning to drop you an email through Flickr to say as much but since you said you welcome the feedback, here it is.