Obviously not time for all quality, original bassist
Also determined by it being a history of bass rather than a list of great bassists; of course that’ll cross over in places as some bassists defined bass playing, but also why we got (reasonably) into looking at the reggae soundsystems and electronic drum n’bass. Same as in last week’s, getting into drum machines and the like rather than just drummers.
Back to bass then, @senor j
Yep, clearly I need to do some groundwork rather than just copying and playing along with stuff I like and can find (although all work and no play). But I also need some fundamental instruction I think….
(not necessarily after answers here but I’ll ask)
– I play fingers mainly, anchoring thumb on the neck pickups but why do some players use the bridge pickup or switch between
– (bit like gears on a bike) – your notes repeat at 5th fret so why do some tabs or plays use the length of the neck and one string and others stay around the same few frets and more strings
– as per last one; I haven’t got particularly good fingers…too many breaks and dislocations from goal- and wicketkeeping when I was younger so I pretty well can’t fret with my pinky and don’t have a wide stretch where my forefinger is bent, does that tend to push me more to ‘less frets / more strings’?
stuff like that?