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[Closed] Modern Art - SPOILER ALERT

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Torminalis - thanks, I am therefore an artist. I'm going to sell this thread. It's title is Inception.


 
Posted : 26/01/2011 5:05 pm
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Torminalis - thanks, I am therefore an artist. I'm going to sell this thread. It's title is Inception.

Does that mean I am modern art?


 
Posted : 26/01/2011 5:06 pm
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Not anymore.... 8)


 
Posted : 26/01/2011 5:08 pm
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At least I can tell roughly what it is.

So for you, art is simply something that looks like the real thing?


 
Posted : 26/01/2011 5:09 pm
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No, but it has to look like something (other than a blob).


 
Posted : 26/01/2011 5:11 pm
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I am playing devils advocate here but...

So if I hang a picture on my wall to cover a crack in the plaster then it's no longer art?

If the painting was designed to cover the crack then it is just design. If not it is just artwork in a poor environment.

Does that mean I am modern art?

No one said all art is good. 😉


 
Posted : 26/01/2011 5:12 pm
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No, but it has to look like something (other than a blob).

Why?

Rothko is considered to be one of the great abstract artists but all he did was create massive walls of colour. Blobs if you will. Quite impressive ones if you see them in the flesh.


 
Posted : 26/01/2011 5:13 pm
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Good Dr. Have you ever actually studied art on any kind of academic level?

TO get a fuller understanding of 'modern art' (I bloody hate that expression), simply look at a retrospective of Picasso over his career.

He is generally credited with the development of cubism, an artistic movement that generally invokes cries of "What?!!! A bloody six year old couldd have done that!!!! She's got three bloody eyes!!!!!"

But Picasso was trying to convey something more than human form. TO express emotion and feeling. He did this because he'd developed the depiction of human form, as is traditionally referred to by artists, as far as it could go. The man was a genius! He could have produced 'traditional' art that would have been 'better' (ie: technically more proficient) than anything before. But whats the point of that?

So he challenged himself. And with it, other peoples pre-conceptions of what 'art' should represent


 
Posted : 26/01/2011 5:16 pm
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It took me four years to paint like Raphael, but a lifetime to paint like a child
- Pablo Picasso.


 
Posted : 26/01/2011 5:20 pm
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Good Dr. Have you ever actually studied art on any kind of academic level?

I thought the answer to that was obvious?


 
Posted : 26/01/2011 5:23 pm
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No, but it has to look like something (other than a blob).

Why?
Is this art?
[img] [/img]

Is this art?
[img] [/img]

Is this art
[img] [/img]


 
Posted : 26/01/2011 5:25 pm
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Sitting in the Rothko room at the Tate Britain (ruined now its in the Tate Modern and the crowds) is a very very emotional experience.

I have no idea why. I don't think i really want to know. It just is! And maybe that's the whole point

Abstract Expressionism is all quite fascinating when placed in its context of American Macarthyism etc. It means a lot more when you understand the rationale behind it. Same as most Art. Its usually a reaction to something momentous


 
Posted : 26/01/2011 5:26 pm
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MF - no, no and no....

Scribbles.

Nasty 1980s jumper design.

Wrapping paper from the £1 shop.


 
Posted : 26/01/2011 5:31 pm
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Do you ever wonder where Nasty 1980s jumper design and Wrapping paper from the £1 shop came from? Where the influence's are? The subliminal effects art has on every aspect of a society?

Again - I don't know why I'm asking that question? I suspect I know the answer


 
Posted : 26/01/2011 5:34 pm
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MF - no, no and no....

This?
[img] [/img]

This?
[img] [/img]


 
Posted : 26/01/2011 5:45 pm
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Shoes and cars are both examples of design rather than art. those happen to be representations of the things but it seems to be in a more functional way with little regard for expression or meaning so I would say that they are not art IMO.


 
Posted : 26/01/2011 5:47 pm
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Shhh - I am not asking you 😉


 
Posted : 26/01/2011 5:48 pm
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ooh, sorry. 😳


 
Posted : 26/01/2011 5:49 pm
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Shoes and cars are both examples of design rather than art. those happen to be representations of the things but it seems to be in a more functional way with little regard for expression or meaning so I would say that they are not art IMO.

Torminalis, is this art then?
[img] [/img]


 
Posted : 26/01/2011 5:51 pm
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Ahh - Magritte?


 
Posted : 26/01/2011 5:53 pm
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Shhh - I am not asking you 😉
(but you are right)


 
Posted : 26/01/2011 5:54 pm
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I refer to my earlier statement

I am playing devils advocate here but...

BUT, my devils advocate is probably about as 'right' as my personal opinion so I shall say yes. The design of the pipe is a functional thing but we are not looking at that. We are looking at a representation of the pipe juxtaposed to a statement that alludes to more meaning than merely the functional.

It is not to my taste and is a bit obvious but I think it is art. It certainly has no function (unless you have a crack in your wall to cover up 😉 ).


 
Posted : 26/01/2011 5:59 pm
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The design of the pipe is a functional thing but we are not looking at that. We are looking at a representation of the pipe juxtaposed to a statement that alludes to more meaning than merely the functional.

I would say that same argument could be used for the second example I showed (the car) and it is a poster so it was created as 'art'.


 
Posted : 26/01/2011 6:01 pm
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[img] [/img]
an oak tree


 
Posted : 26/01/2011 6:02 pm
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Well as Magritte would have said, try driving the picture. That said, it is at best an hommage to a design, could be argued either way but I wouldn't put it on my wall!


 
Posted : 26/01/2011 6:04 pm
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Make way, make way...

Right then. I know you've all bin eagerly awaiting my input, and I thank you all for your patience.

What is 'Art'? Hmm. Really quite subjective, innit? I mean, there are myriad forms of art, and as many opinions as there are people who view them. Who's right?

To me, Art is something which is created using craft and skill, which serves as a statement by it's creator. It is something which provokes an emotional response in the audience, something that relies on it's audience's ability to interpret it's intended message, as well as adding their own meaning to it.

I believe a work of art should speak for itself as much as possible, without requiring elaborate explanation. It's here where I feel a lot of so-called 'art' falls down; yer Emin, Hirst, Whiteread etc's work seems to need lots of hi-faluting explanation by so-called 'art experts'; if you don't get it, the implication seems to be that you're a philistine, or a bit thick. A very patronising and arrogant attitude which disguises the fact that the work is very often a pile of toss. The shysters mentioned are almost completely reliant on the sycophantic network of art critic friends and gallery owners, friends in the meeja (darling), and the [b]Emperor's New Clothes Syndrome[/b].

A mate's GF studied 'Fine Art' at a top art college in That London. By Leo Sayer, was she crap. Couldn't draw, paint, sculpt owt or indeed use any medium effectively to actually produce owt of any note whatsoever. Surprise surprise, she now writes about art. 🙄

Sadlty this story is repeated throughout the contemporary art world. Mind you, the odd gem sparkles amongst the shite. There are some decent artists out there, but sadly their work is often overlooked for 'controversial', 'edgy' or 'shocking' 'conceptual art' (spits) which has about as much merit as the aftermath of a bad case of Dehli Belly.

No it's true. I'm right, and anyone with any sense and the ability to think for themselves can see this.

Seems that art commentators are more concerned with championing the latest pile of pretentious toss that their poncy friends in Hoxton or Caymden have told them about, than actually seeking out genuine artistic talent. And, as with everything else in this throwaway materialistic society, It's more about the latest trends, and looking cool in front of your peers, than expressing and real appreciation for real talent, skill and craft. I went to an art show last week; the best thing about it was the free beer, and the tight pants worn by a very charming young lady whose email I managed to get....

This criticism isn't just confined to contemporary art; there's plenty of dross throughout the entire history of Human Expression. I just think it's easier to create something now, and call it 'art'. People are too frightened to actually stand up and say '[b]oh look, the Emperor has no clothes on[/b]'.

He says he has a prize winning bottom

This is actually true. However, it is a wonderful and beautiful work of Nature, rather than a work of art. Mind you, if I were to take a cast of it, then use that to mould life-sized replicas, then obviously such a creation could grace (and indeed [i]enhance)[/i] any gallery on Earth. 🙂


 
Posted : 26/01/2011 7:59 pm
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So, apart from Elfins bottom, nothing is art?

Oh and the car and shoe aren't art (are they). I wouldn't even use them to cover the cracks in my plaster.

My friends rib me about this all the time but I have no art in my house apart from a pencil drawing a mate did for me which makes me smile.


 
Posted : 26/01/2011 8:22 pm
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So, apart from Elfins bottom, nothing is art?

😀


 
Posted : 26/01/2011 8:25 pm
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Actually, speaking of cracks....


 
Posted : 26/01/2011 8:26 pm
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Oh and the car and shoe aren't art (are they). I wouldn't even use them to cover the cracks in my plaster.

But you can tell what they are so they must be art?


 
Posted : 26/01/2011 8:27 pm
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PSA - Gilbert and George on 'the one show' half an hour ago


 
Posted : 26/01/2011 8:31 pm
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Now they are very odd.

They like poo don't they?


 
Posted : 26/01/2011 8:35 pm
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But you can tell what they are so they must be art?

I can tell what lots of things are that aren't art. Cornflakes for instance.

However, and amusingly (possibly), I did once draw a shoe in art class at school. My teacher said it was a very nice shoe.


 
Posted : 26/01/2011 8:36 pm
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Always thought Andy Warhol was a proper shyster.

[img] [/img]

Yeah, right, whatever, Andy...

I'll let the renowned social commentator, Mr Paul Calf, have the last word:

[img] [/img]


 
Posted : 26/01/2011 9:53 pm
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My teacher said it was a very nice shoe.

But your drawing of it was shite 😉


 
Posted : 26/01/2011 10:23 pm
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Posted : 27/01/2011 12:09 am
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this has been an interesting thread
especially this:

It is something which provokes an emotional response in the audience, something that relies on it's audience's ability to interpret it's intended message, as well as adding their own meaning to it.

now, the part about having an ability to interpret it's intended message is what I struggle with - I don't know a lot about art, but I like to visit galleries and exhibitions. I like art that provokes emotion in me and that which I can try to find meaning in. What I don't believe is that I have to have studied art or be able to interpret it's intended message in order to get something from it. I concede that greater knowledge of artists, movements and their intentions might enhance my appreciation of art, but I don't think it's necessary.
I prefer the purity of emotion that is induced from art without thought or comprehension.


 
Posted : 27/01/2011 1:09 am
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See what I'm getting at, is that a piece of art should communicate effectively. If it needs further explanation, then it fails in it's objective, imo.

Hence why a work like Edvard Munch's 'The Scream' is easily recognisable as 'art' (to most folk anyway, I'd imagine), whereas an unmade bed or half a cow in formaldehyde isn't. Doesn't mean the latter [i]aren't[/i] works of art, but perhaps are only so to a much narrower audience.


 
Posted : 27/01/2011 1:22 am
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IMHO if i could do it it is not art. i have no artistic talent and the highest mark I ever got was 18% for art. Lots of modern art falls well below this threshold.


 
Posted : 27/01/2011 1:28 am
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Really fun thread this. Thank you elfin for managing to articulate exactly my feelings about a lot of modern art. It seems all too often it's about art as an 'investment', like stocks and shares, but acbit more certain. William Gibson has written about similar things in some of his books. Doesn't mean I don't like abstract art or modern art, I just know what gives me an emotional response and what doesn't. I couldn't give a monkey's about deep underlying concepts or any of that malarkey. Funnily enough I was talking to a mate last weekend about several of the artists on here over a pint, as we usually try to get in a museum or gallery when up in London Village for a gig, and Rothko's one of my mate Nick's favourite artists. I could never get it until I actually went to see an exhibition of Rothko's work, and I understand it now. I don't get the response that Nick gets, but I genuinely feel there's more to the paintings than meets the eye, or mine, at least. Nicks sensitive to UV, and wears dark glasses most of the time, and there were detail photos of some works taken with UV light. Astonishing. There are multiple layers in each painting that flouresce in different colours, and Nick can see details that are hidden to me, that even make him feel dizzy at times. He can't look at Bridget Riley paintings, they make him queasy, but I like them. (The stripey one of the pics). Mondrian, the Dr was rude about, apparently has some feature to the layout of the lines and solid colours that ordinary people respond to and can often tell genuine from fake.
As it happens, I love David Mack's work, (tyre submarine, brick locomotive), he does amazing hollow sculptures using wire coathangers, which I love to bits. Anthony Gormley is another artist I never get tired of seeing as well. I usually try to get up to the RA Summer Exhibition, and there's always interesting stuff there every year.
[img] [/img]
[img] [/img]
Event Horizon, Anthony Gormley, South Bank
[img] [/img]
Sophie Ryder, Bath Festival


 
Posted : 27/01/2011 1:33 am
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Speaking of Mondrian, I'm not a great fan, and see much of his stuff as 'design' rather than 'art'.

'Broadway Boogie Woogie', however, communicates an idea very effectively to me.

[img] [/img]

As does Thomas Heatherwick's 'The B of the Bang' (named after a quote by sprinter Linford Christie apparently):

[img] [/img]


 
Posted : 27/01/2011 1:49 am
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See what I'm getting at, is that a piece of art should communicate effectively. If it needs further explanation, then it fails in it's objective, imo.

Personally I like the fact that a single piece of art can mean many different things to different people.

I think in most cases, particularly with abstract art, the original meaning of the artist (if they had one) is irrelevant and can even be detrimental to the experience of the viewer.

Isn't it more interesting to make your own mind up about how you feel about a piece of art?

You're very unlikely to share the same ideas, opinions, life experiences and frames of reference as the artist, given the massive variation in human experience and behaviour, so why should you feel the same about a piece of their art?

Knowing the artists original intentions can be interesting, but some people feel that they have 'failed' if they don't immediately understand the intentions of the artist.

I always like to look first, then read up about the artist later.
Amazing how a little knowledge about an artist can subjectively prejudice your opinion.

Two cases in point:

[img] [/img]

[img] [/img]

Personally, I find the artist to be an irrelevance - if I see something that generates an emotional response, then that response is relevant and genuine to me, because it's mine.
It's nothing to do with the artist or what they 'intended' to achieve or the emotional response they intended to generate.


 
Posted : 27/01/2011 1:51 am
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[img] [/img]


 
Posted : 27/01/2011 2:01 am
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Kev; sensible and nice input, please. 🙁


 
Posted : 27/01/2011 2:11 am
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Personally I find art affects me greatly - the more I understand the more I appreciate


 
Posted : 27/01/2011 2:34 am
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