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Herman Shake - Member1,2 and 4 had the same sustained Bellamy vocal thing.
And every Radiohead song with vocals has pretty much the same Thom Yorke vocals 😕 They're 2 very distinctive, instantly recognisable vocalists, but it seems like one of them's getting criticised for it here and the other isn't. (this isn't a criticism of Radiohead at all btw, I love Thom's voice).
I have no idea how you "musically cry wolf" though. It's not like he's going "Right, time for some high pitched vocals for maximum emotional effect" and overusing it, it's just how he sings. It seems like criticising Thom for croaking, or Tom Waits for always sounding like he's about to die of something horrible.
A more general question which occurred to me as I read this thread:-
Is there an objective standard of "good" music against "bad"/"humdrum" music - e.g., "a hit is a hit" - something impossible to describe but which everyone can instantly identify (e.g. the difference between the Pumpkins and Radiohead on one hand, and Muse on the other. Or the Chilis of Blood Sugar vs the Chilis of By the Way. Or Nirvana as against Bush).
Or is it all relative? Are the views of those people who prefer the Chilis' more recent Waitrose aisle music to Blood Sugar Sex Magik, valid? (I always left the party when By the Way came on, by the way). Do we have to accept that in some contexts, for some people, Muse are better than the Pumpkins...despite all evidence to the contrary?
Probably a question of degree, e.g. anyone who says Muse trump Radiohead is simply wrong on every level, objectively, but whether you prefer Radiohead's mid-90s stuff to their post-Kid A stuff (I'm the latter)...or Radiohead to the Pumpkins (I'm undecided) is a question of judgment/context
Pumpkins is quite varied
There's definitely elements of grunge/punk/stadium metal/shoe gaze/acoustic/goth .. difficult to categorise a bit like Radiohead it depends which CD and tracks you are listening to
Does Muse approach that diversity? Are they as technically accomplished? [as the Pumpkins]
I like music, it is good.
I don't like music which is bad, i just don't like it,
but music when it is played well sounds ace!
It's just when it's played badly it really sounds bad.
Great comments from the 3 above.
Northwind, I guess I personally connect more with the emotion put forward by Yorke than Bellamy. I dislike drama for drama's sake, it doesn't feel like genuine expression to me; which is my personal requirement for music to be good. I accept that some people just like that sort of thing.
Ironically, the Pumpkins frequently are/were dramatic for the sake of it, but I think they can't help being odd (maybe it's all a clever, well marketed act?).
I do feel that Bellamy chucks in the sustained high pitch to ice the cake a little prematurely. I have found Radiohead to be more emotionally stirring due to the build and crescendo, or restrained delicate nature of the music. It's more about the choice of when to create impact.
Power is nothing without control. (or some other cliche quote)
I like Pumpkins, probably were my favourite band when they were around.
I'm indifferent to Muse, although I can understand their appeal. I wouldn't go see them live cos I hate big gigs.
[i]backed by Billy's voice and Jimmy's drumming[/i]
Iha's guitar was the most important thing for me.
I think Herman states things as well as anybody. I have no issues with drama, or melodrama, but only when it's controlled, ie, held back as a gig highlight, or building up to big finale. I've never seen either Radiohead, Muse, or the Pumpkins for that matter, although I love 'head, the other two never really lit my candle, but I guess that Muse really have been a stadium band by intent from the beginning, whereas both Radiohead and the Pumpkins are bands you could easily see playing an intimate small gig and doing it well. Histrionics get tiresome when that's all that's on offer, there needs to be light and shade, and I don't think Bellamy really understands that. Corgan really could be up his own arse, though, from what I've read.
What is it with three piece bands and racket though? Or even duo's; Blood Red Shoes are incredibly loud, for a lad on drums and a teeny little girl with a guitar. And an amp/cab as tall as I am.
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the lovely, and loud, Laura.