It’s great TV, personally I think The Wire is slightly better, but I can’t complain about either.
The ending is the one sticking point for me, not the actual last scene, although they over-stretched it trying to making it something it’s not, but the last episode or two.
There’s a war that’s been building for the last 2 series or so, well really, it’s been building since the very start, it’s the conclusion of this 86 hour opus, because a few little cul-de-sacs alone the way it’s really a single story from start to finish which is brilliant, when it finally comes it’s as shocking as you’d ever hope, major characters die, but then it just ends. We never learn the outcome of all this, you can assume this and that – but really after 6 years do we just accept a character like Paulie Walnuts, gets ‘a bump’ he doesn’t really want outside the Pork store and that’s it, Sil lays in a hospital bed not knowing if he lives or dies etc, its almost like they were hoping they’d get another series at some point in the future that never came.
The Wire on the on hand, ends – there’s another war or sorts, people die – but then there’s this amazing scene without dialog which shows that despite all the drama, all the killing, all the arrests that it hasn’t made a difference, new people move into old roles – there’s a new Bubbles, a new Omar, a new Avon, a new McNulty and a million other characters unaffected and ignorant of what’s happened doing what they always did.
They could remake the Soprano’s one of those new wave, not a sequel, not a remake type things and it could be good, or it could be crap but it would be different.
They could make another series of The Wire, set it today and we’d see how Baltimore has changed over the last 10 years, or they could set it 12 hours after the last one ended and it wouldn’t need a single existing character and it could still be great,