Viewing 40 posts - 41 through 80 (of 106 total)
  • Digital SLR's – Do I need a "Full frame" one?
  • stumpy01
    Full Member

    Not everyone. I don’t. Crop is fine for me…

    Would rather spend the money on lenses and places to go for new photo opportunities…

    zokes
    Free Member

    I must’ve spent £1500 on my camera kit. I paid £300 for the camera and I have 7 other lenses.

    By contrast, I mostly stick to two lenses, forcing me to work on my composition, rather than faff about playing with different lenses.

    Ewan
    Free Member

    Everyone wants a full frame, but only about 5% actually have the need for one

    I certainly don’t, I ocasionally worry that Canon will ditch the 7D for a full frame and i’ll have nothing to replace it with when I invevitably drop my camera!

    stumpytrek
    Free Member

    I have a 40D body for sale if you are interested?

    molgrips
    Free Member

    I think Molgrips makes a good point

    out of intrest what do you have?

    I have an Olympus E-600 which Currys were clearing out half price a few years ago, cost me £320. Ok so it’s not the camera for everyone but I love it and it was a hell of a bargain.

    Lenses include most of the Olympus standard range:

    14-42mm f3.5-5.6
    40-150mm f3.5-5.6
    70-300mm f4.0-5.6
    9-18mm f4.0-5.6
    25mm f2.8 pancake (love this for ease of packing and handling, but it’s a bit long for general purpose, would prefer the 17mm length you get in m4/3 version)
    35mm f3.5 macro
    8mm fisheye (this is actually a pro range lens.. mmm… )

    And a Sigma 30mm f1.4 EX DG which is a bit of a love hate thing.

    Almost all of which was bought second hand from the US for cheap.

    As for limiting yourself to think about composition – not sure why having more than two lenses would stop you thinking about composition. Photography is all about composition, isn’t it, regardless of lens? Otherwise it’s just snaps.

    If I have several lens choices I have to think MORE about composition because I can bring far more stuff into the picture if I want.

    Anyway I usually only have one or two with me.

    bencooper
    Free Member

    As for limiting yourself to think about composition – not sure why having more than two lenses would stop you thinking about composition. Photography is all about composition, isn’t it, regardless of lens? Otherwise it’s just snaps.

    Definitely – I’ve got more silly expensive lenses than I should really admit to, but rarely go out with more than two or three. I find it harder with more lenses – it makes it harder to mentally frame images.

    I think if I was starting again, I’d go completely against everything said here – I’d get a FF and a single 50mm lens. I’ve learned a lot more with that setup than I ever did carrying about a bag of different lenses.

    molgrips
    Free Member

    I’ve learned a lot more with that setup than I ever did carrying about a bag of different lenses

    That’s been mentioned often on here but I’ve got no idea where you are coming from. Prime lenses give prime lens style pics. Wide angle ones give wide angle style pics. If you only have a prime you can only take prime style pics. Sure you can get really good at it but there’s a whole range of stuff you just can’t do.

    I suppose if you were prone to fannying about with gear and not properly thinking about what you were doing then it could help, but I don’t suffer from that.

    wilsonalasdair
    Free Member

    Just got a new camera just before Christmas. Canon eos-m, its pretty compact and with adapters can take a multitude of lenses. Here are a few test shots quickly taken when I got it:new eos mn

    ampthill
    Full Member

    Molgrips that looks like a great collection.

    Still stuck on one lens. Partly due to funds butartly as I can’t decide if I’m really committed to Nikon F mount…

    bencooper
    Free Member

    That’s been mentioned often on here but I’ve got no idea where you are coming from.

    I guess what I mean is that, for me, when I started out having more lenses was a distraction. Fr example, instead of thinking properly about framing a shot I’d just bung on a different lens. It’s a bit like how everyone goes through the post-processing phase where you experiment with lots of PP effects, before eventually going back to taking picture properly in the first place 😉

    Perhaps it’s a bit like learning to ride a bike – you don’t bung a child on a full-sus bike with 27 gears and disc brakes, you put them on a Like-A-Bike where all they have to think about is balance. With a single prime lens, you don’t have to think about which lens to use, how to zoom and stuff like that, so you can concentrate more on learning about aperture, shutter speed and the important stuff.

    I think it also helps with learning spontaneity – a small prime lens is great for just strolling about.

    molgrips
    Free Member

    Molgrips that looks like a great collection.

    Thanks, it’s meant to cover most possibilities for the least money. I’ve promised myself I won’t go chasing ever better quality or light – there’s just no point. As an example there’s a 50-200mm f2.8 which is rather nice and not too expensive in the older version without the supersonic motor, but I’d need a teleconverter to get what I can get with my 300mm, and it only gets me one extra stop. Hardly ground breaking improvement. To get a significantly better wildlife lens I’d have to spend thousands really.

    Having said that I think I will save up for a teleconverter for wildlife. It’s a bit silly but on holiday somewhere sunny where there’s unusual wildlife there might just be enough light 🙂

    a small prime lens is great for just strolling about.

    Yeah well just because I have all those lenses doesn’t mean I carry them about all the time. I often do have just a prime.

    madhouse
    Full Member

    No, you don’t need a full frame sensor unless you’re planning on doing either portrait or landscape photography. For those two you’ll reap the rewards that increased sensor size (and cost) will give.

    There are many, many professionals using crop sensors, it’s the person using the camera that is composing the image and choosing the settings, the camera’s just a means of capturing the creativity.

    You’ll be much better off spending your money on lenses than a FF body and one or two lenses.

    Bianchi-Boy
    Free Member

    I’m with Stumpy on this. I would rather have my mid range kit (7d and 60d plus good compliment of lenses) and invest in travel rather than go full frame.

    Of course if I had the money I would do both!

    BB

    zokes
    Free Member

    I think if I was starting again, I’d go completely against everything said here – I’d get a FF and a single 50mm lens. I’ve learned a lot more with that setup than I ever did carrying about a bag of different lenses.

    Having been pretty much forced back to this after my staple 24-105L failed partway through this holiday, I’ve found today’s walk with only a 50mm or 18mm on my 5d2 a rather re-enlightening affair

    Fwiw, I’ve got about 8 lenses in a cupboard, but unless I’m going anywhere specific (eg sports for long tele or botanic garden for macro) I tend to stick with the L zoom or UWA and just use them. My photography is certainly much improved since I stopped faffing about with 6 different lenses

    JCL
    Free Member

    Yup, FF NEX cameras are on the way next year too…

    For me that’ll be the nail in the coffin for bulky SLR’s with flipping mirrors and expensive lenses. Even the current NEX7 would be the camera I would like regardless of price.

    zokes
    Free Member

    I have a friend who pretty much queued up for a nex7 when they came out, just in time for his youngest to be born. Yet strangely, most of the pics of his kids he has on display were taken on my clunky expensively lensed Canon 5D Mk II.

    He’s already said he wished he’d got the 5D now

    bencooper
    Free Member

    Maybe it’s just me being old-fashioned again, but I can’t really get on with my NEX-5. It’s well made, takes decent images and is very good for video, but it doesn’t feel part of me the way the big A900 does. Maybe it’s as simple as the fact it’s got a screen not a viewfinder.

    coffeeking
    Free Member

    I’m with you there, Im just not able to feel quite as comfy with a compact as I can with a dslr, the rugged larger grip of the dslr just feels right. Though after 2 hours climbing a mountain a bag with a dslr and 4 lenses feels a bit annoying too.

    ampthill
    Full Member

    I have to say I think that the NEX range is all smoke and mirrors. They look great on the internet but the reality is some what different. The 6 and 7 might be better..

    My sister has a NEX 3. Small body huge lens. I keep wanting to like it as I could buy one used very cheaply. But the user interface is so bad that i feel permanantly lost. AF is OK in good light on static subjects. But poor in low light or on moving objects

    Maybe the phase detect AF on the NEX 6 will bring it all together?

    If I was to go mirrorless it would be with micro fourthirds. Much maligned for its smaller sensor its a system that actually seems to work. Good handling bodies a good range of lenses and lenses that are really smaller

    NEX has grown from a culture of internet reviews with loads of pixel peeping and the desire to have the ultimate image quality. When in reality most peole will be printing small or uploading to face book

    5thElefant
    Free Member

    I moved from Olympus m4/3 to nex. The user interface on the Olympus was awful. The nex5 is ok. The nex7 is better than a dslr.

    Now Olympus has moved to Sony sensors there isn’t much in iq and the new Sony lenses are a match for m4/3 so I don’t think there’s much between the two systems.

    Having said that… the only thing going for nex or m4/3 is size. Autofocus on anything moving is useless compared to a dslr and they’re both fiddly little things. Lenses on both systems are ludicrously expensive.

    I wouldn’t be surprised if it was cheaper to build a system around a Nikon d600 than either m4/3 or nex.

    JCL
    Free Member

    Seriously the motion AF on the NEX7 isn’t anygood? With static stuff is really fast so what is going on there?

    PeterPoddy
    Free Member

    I must’ve spent £1500 on my camera kit. I paid £300 for the camera and I have 7 other lenses.

    I don’t need 7 lenses. I have 4. One is tatty and well used Sigma 17-70 f2.8 MTBing pics, and is passable for macro use. One is a wide Sigma 10-20mm and only gets used rarely, the same as my 50mm f1.8. I’ve just bought a Sigma 18-250 which will probably take 80% of my pics for the next 5 years.

    If I had to choose one of those 4 it would be the tatty old Sigma 17-70. It’s crisp, it’s fast, it’s versatile. It matters more what you point the camera at than what camera you’re pointing at it. Photography isn’t about ‘creativity’ and gear. It’s about taking pictures. 🙂

    molgrips
    Free Member

    Much maligned for its smaller sensor its a system that actually seems to work.

    Similar story for the Olympus SLRs too it seems. More noise at high ISO was reason for the pixel peeping gear nerds to write off 4/3, but there seems to be quite a few people around who love the handling, operation and the lenses.

    Lenses on both systems are ludicrously expensive

    Really?

    5thElefant
    Free Member

    JCL – just contrast detect af vs phase detect. Fast is an overstatement for static subjects on the nex7 though. Adequate mostly. Not fast.

    Molgrips – sure. Compare the price of a new 25mm f1.4 from Panasonic to a 50mm f1.4 from canon for example. Then look at the second hand market.

    Compact lenses are costing me a fortune compared to full frame lenses.

    JCL
    Free Member

    Well it made my old D60 seem clockwork!

    Gutted though as I loved it (the NEX7) when I was playing around with it. Seemed like the future.

    5thElefant
    Free Member

    I use my nex7 more than my dslr. Everything is a compromise one way or another.

    molgrips
    Free Member

    Compare the price of a new 25mm f1.4 from Panasonic to a 50mm f1.4 from canon for example

    Hmm.. well the former is marketed as a top notch lens isn’t it? And the latter is a do-it-all cheapo that happens to be quite good. Economies of scale apply, which I guess is your point.

    5thElefant
    Free Member

    Yes, there’s that. There’s the huge used market that doesn’t exist for compact system lenses, and the extreme pixel density on the compact systems that are much more fussy about lens quality.

    molgrips
    Free Member

    Well.. the point about 4/3 is that it’s easier to make a sharper lens BECAUSE of the smaller sensor, isn’t it? And m4/3 is the same size…?

    The requirement for physically smaller lenses probably pushes the price up tho.

    It will be interesting to see if uptake of compact systems increases, but I suspect it might not be. Just read the film camera thread for people’s feelings about their cameras beyond practical usability.

    “But it just FEELS so nice”.. wtf, it’s a camera not a blowjob.

    zokes
    Free Member

    Well.. the point about 4/3 is that it’s easier to make a sharper lens BECAUSE of the smaller sensor, isn’t it? And m4/3 is the same size…?

    Not really, the quality of the glass has to be far superior for the bit of lens that is used for u4/3. If you cut the sensor on my 5d2 to a u4/3 size, it would only be about 5.5 mpx, yet it is a 22 mpx sensor at FF

    grantway
    Free Member

    God keep it simple
    Buy a camera body in your budget with the best metering system
    Does it have a processor on it if so even better.
    Buy pre set lenses if you really need them (not right now).
    Buy a good zoom lens IE 28 to 140 focal length with the biggest F stop you can afford.

    My day to day camera even photographing my Furniture I use a
    Canon G11 Yep a Compact digital camera Laugh you may but I put these in Magazines
    as long has I don’t go any bigger than 10*8 and MB wise 4 meg is all you need for
    quality publication.

    The two pictures was shot in Manual metering in Natural light and I did override the flash and the
    camera was hand held too.
    Also I have not used Aperture so no enhancement one bit.

    lodious
    Free Member

    “But it just FEELS so nice”.. wtf, it’s a camera not a blowjob.

    Dunno, people can choose what they like, they don’t have to justify it to anybody. It’s a creative hobby, it would be pretty sad if eveyone used the same tools.

    If someone want’s to use a camera becase they like the feel, or even the colour of the backlghting on the buttons, it’s up to them. At least they didn’t choose it because they read their opinion on an internet forum.

    MrSmith
    Free Member

    You use those pics to sell your furniture? They are awful.
    The furniture looks quality, the images aren’t.

    organic355
    Free Member

    With the Canons the models move up like so: xxxxd, xxxd, xxd, and then you have the 7d 5d and the 1d, (and I think they’ve just recently introduced a 6d).

    Single digit models are higher up the tree, with the 1d being at the top (at least in monetary terms).

    So looking at the Canons. I was looking at the 60D in Curry’s for £729, I am sure it will be cheaper elsewhere but just wanted to have a look at it.)

    Whats the main difference between the 60D and the 650D or 600D?, the 650D can be had for £809 with £50 cashback, so all comparable prices)

    all 3 seem to be 18 megapixels, Sensor size and type: 22.3 x 14.9mm CMOS (what is this?? also what is APS-C????)
    HD video: Full HD 1080p
    ISO Speed Range: 100-6400

    I thought the 60D would be far higher spec than the 600/650??

    grantway
    Free Member

    Organic check this site out for reviews

    Canon EOS 60D review

    Canon EOS 650 review

    justinbieber
    Full Member

    Difference between 60d, 650d and 600d?
    From memory, the main difference will be between the 60d and the 600/650d – the 60d is more ergonomic with 2 control dials (when in full manual you have instant access to shutter and aperture, rather than having to use the same dial and press a button) along with less features buried in menus and directly accessible through primary buttons.

    The 650d is a slight upgrade to the 600d, although I don’t know if the sensor is improved. If you’re looking for a direct numbers comparison, try snapsort.com

    Ewan
    Free Member

    APS-C is a sensor size, it’s equivalent to an old (now defunct) film size called ‘Advanced Picture System – Clasic’.

    Keep an eye on http://www.camerapricebuster.co.uk/prod.php?n=CanonEOS7DBody&p=1170

    Generally quite good at getting the cheapest price, that said I saw a 7D for 800 ish the other day on ebay…

    Ewan
    Free Member

    BTW, the control dial on the 60D (and 7D) is def worth having. The little joy stick you get for selecting focus points is also worth having (but only on the 7d)

    CHB
    Full Member

    Grantway: not the worlds best pictures. Fuzzy and low resolution. The double socket and mixer tap on the second pic show it worst for me.

    OP: No need for full frame for most photographers. I wanted one a few years ago (still using a D80 currently). I shoot a lot of stage performances and wanted full frame for the extra ISO reach it offers. However, with current sensors offering very high ISO at DX frame size then I think my next camera will be a DX rather than FX frame size. The loss of zoom reach on FX is high (unless you use in cropped mode).

    Any SLR will be a massive leap up from a point and shoot. Handle a few and see what feels right for you. I much preffered the feel of Nikons when I was shopping. Now that I have >£1000 of wireless flashes and lenses, I am certain my next body will be a Nikon too.

    5thElefant
    Free Member

    Organic355 – the 18mp canon sensor is an old one. That’s not to say it’s bad but you should be paying a lot less than a camera with a new generation sensor.
    DXO is useful for comparing camera specs.

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