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IKB 79 or the Rothko Room in the tate...always have a bit of wobbly moment in that room
Garden of Earthly Delights.
Guerinica.
That David Walliams is everywhere these days.
Eye of the beholder and all that but Vettriano?
Next we'll be having the works of Bob Ross
Next we'll be having the works of Bob Ross
^ is that wise?
😥
Eugène Delacroix's 'The Death of Sardanapalus'
Sardanapalus is the last king of Assyria. He has failed in battle. He is about to die. He broods among his intended victims. Around him, his naked slaves are being murdered, and his possessions are being destroyed. At last, his court will be burned. The king relishes his sights. In the same way, the painting encourages us to enjoy this scene. This vast canvas is full of beautiful chaos. There is flesh and rich fabric and gorgeous colour. There is turbulence and cruelty – and opulence, ruin, decadence, slaughter, luxury, despair, violation, helplessness, sacrifice, the whole business. The massacre is coming to its finale. One after another, the deeds are falling down.
And he doesn't give a shit, all are his possessions to destroy as he pleases.
Love too many paintings to choose.. absolutely HATE rothko though..
Bob ross is awesome 🙂
billyblackheart - MemberIKB 79
A fine choice - although I prefer IKB 3, because it means I'll be getting a better quality glass of wine after seeing it.
Personally though, I'd have to say that Cezanne's Lac D'Annecy is mine, in here, turn left...
[url] http://www.courtauld.ac.uk/vr_tour/new/index.html?pano=room_05.xml [/url]
*Inserts "oil painting" joke for DD's post*
You can think of something when you've wiped up O'Flashearty 🙂
Eye of the beholder and all that but Vettriano?
perfect fodder for the greetings card market since the demise of Athena poster shops.
ephemeral dross for the visually illiterate.
Currently:
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'Jeunesse Dorée', by Gerald Leslie Brockhurst.
It's hidden away in a corridor upstairs at the Lever gallery at Port Sunlight.
Had a proper soft spot for this as a kid:
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'Off' by Edmund Leighton - top of the stairs at Manchester Art Gallery on Mosely Street. Loved it as a soppy teenager. Still got a copy hung up in the back room.
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'Evolution of the Cathode Ray Tube' by Mervyn Peake.
The bloke who wrote Gormenghast. There's a version in Manchester Art Gallery which is an enlarged detail of this - bit of a stunner.
Way too many to list, tbh.
And as Binners said, no visit to London is complete without a nice sit down in the Rothko Room.
I'm not well informed tbh, so no doubt there's others I should see, but as per Binners and CFH... Turner's Fighting Temeraire, and Stubbs' Whistlejacket.
Cool thread. (sorry I don't know how to post pics)
I'm more of a classicist, all time fave the Isenheim altarpiece.
Rothko is a very blokey artist isn't he, I have never got him at all, I hated that room at the Tate, which I suppose is a reaction of sorts. But anybody who likes Rothko has a nerve slagging Vettriano, both are poster art, bought by people becuase they are inoffensive and match the furniture.
But anybody who likes Rothko has a nerve slagging Vettriano, both are poster art, bought by people becuase they are inoffensive and match the furniture.
Oooooohhhhh, fight! 😀
All subjective innit?
You've got to be in the right state of mind for Rothko - damn things start vibrating and floating off the walls if I'm in the mood - other times they just encourage a little meditative introspection.
Forgot Hockney's recent Yorkshire stuff:
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Not seen any of it in real life yet, but have high hopes.
Hel's alterpiece:
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I have always found Delaroche's, The Execution of Lady Jane Grey strangely compelling.
Rusty Spanner - did you see the recent programme on Hockney talking about his new stuff. Amazing!!! I wanted to go to see the exhibition at the Royal Academy. Then I saw the admission price. [b]EEK!!![/b]
Woman in the Sun by Edward Hopper made me understand that paintings have meaning- the lines, positioning etc.
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Marshal Ney's retreat from Moscow (in Manchesters Art gallery is an epic story on canvass). Fantastic. Its lines- flow across the canvass. The positioning/angle of the desolete/dead trees anchor/balance the thick line of despair/retreat.
Me too Binners 🙁
We should have gone and blagged our way in.
Could of pretended to be the Tod News art correspondents.
Love his attitude - 'Why have you painted that road silver?'
'Well, if you look at a wet road at sunset, with the light shining on it, it's silver. So I painted it silver, it's not rocket science.'
Best thing he's done for years IMO.




































