On the back of my “orange and teal” gripe earlier,
On a whim because it popped up on Netflix, I watched Robin Hood last night. 2018 “contemporary” retelling of RH, starring that Eggsy bloke from Kingsman. Utter twaddle, if pretty enjoyable utter twaddle. But, my god.
Trapped in the hold of a ship? Orange and teal.
In a manor house in broad daylight? Orange and teal.
Church hall? Orange and teal.
Racing through the streets? Orange and teal.
Breaking into buildings at night? Orange and teal.
Skulking around in a basement? Orange and teal.
Etc etc. Even when it wasn’t from heavy post-processing it was ever-present. the streets had pennants hanging up, orange ones and teal ones. Suits of armour? A sort of really dark teal.
It was notable for the scenes that weren’t orange and teal, usually sweeping long-distance shorts of the countryside which lasted for a few seconds before jumping back to Orangeandteal-o-vision. If you ever need an example of just how out of hand this has got, this film is the poster boy for it.