I agree with all these apart from Earthed 5. Whoever chose the music for that needs to be shot, didn't like it at all and I think the music was a major part of that.
To be honest, that's one the reasons that I'd choose Earthed 5. The music is truly excellent (the Earthed series was always good) and a million miles away from the by-numbers generic stuff that nearly every other mountain bike film lazily uses (rock-lite, hiphop-lite, raggae-lite, punk-lite, pile-o-shite). I enjoyed The Tipping Point a lot too.
Sunday in Hell is a classic; there was also another road film which followed, oh, i forget which particular bunch of lycra-clad, Belgian-mix fuelled madmen through a Tour de France… T-Mobile? Hell on Wheels? That was fun.
For my money, Virtuous and Transition take the prize for most soulless pieces of crap purporting to be about mountain biking committed to film.