Men can hear just as well as women, we just choose not to. (-:
agree – if auditioning something I will make the wife accompany me and make comment as she has no preconceived ideas about which piece of gear is going to sound better and tends to listen to ‘the big picture’ whereas a guy might get transfixed on the bass, or treble and not notice that a change actually makes the system sound less realistic.
I had some spendor SP1s which were a little too big for the room and sounded a little sluggish because of it, and the wife didn’t like their looks either.
then one day, after having listened to them for a while, the wife asked me if they would sound any better if we rearranged the room, as she found the realism of the reproduction compelling.
I then had some Harbeth M30s which were a little smaller and which I preferred (the BBC still use them as monitors in places), but they didn’t find that same favour with the wife .
I don’t know what “warm and luxurious” is supposed to mean.
I don’t know what you mean by “cold”.
that’s just inexperience talking – have you never played around with a multiband equaliser and noticed what difference you can make to the sound ? A little bit more bass and the system sounds much warmer.
luxurious is pretty much a factor of the quality of the midrange – people lust after the older (15ohm) version of the LS3/5a because they sound luxurious, not realising that the drivers in these units are prone to drifting their response and forming 1db or more of a peak at around 1khz. The older LS3/5as have drifted more and so sound even smoother and ‘luxurious’ – and the glue around the dust caps of those older speakers turns white with age, so they get even more money – check out the completed auctions of ebay recently…
The 60th anniversary version of the rogers ls3/5a engineered this peak into the crossover to mimic the sound of the ‘out-of-spec’ old speakers.